LA DANZA
DE LOS AZARES
Song list:
1 - Savia | 4’00 (*traditional Spanish / A. Placer)
2 - Pan de flor | 3’41
3 - Un canto de las islas domptelio | 4’38
4 - Solea | 4’20
5 - La danza de los azares | 4’40
6 - El instante es poeta | 5’40
7 - Relatos del agua | 5’15
8 - En mi tierra | 5’10
9 - Un beso de añejo crater | 5’35
10 - Sao Paulo | 5’08
11 - Raiz del manantial | 4’46
12 - Le miroir de la rime | 3’21
DE LOS AZARES
Song list:
1 - Savia | 4’00 (*traditional Spanish / A. Placer)
2 - Pan de flor | 3’41
3 - Un canto de las islas domptelio | 4’38
4 - Solea | 4’20
5 - La danza de los azares | 4’40
6 - El instante es poeta | 5’40
7 - Relatos del agua | 5’15
8 - En mi tierra | 5’10
9 - Un beso de añejo crater | 5’35
10 - Sao Paulo | 5’08
11 - Raiz del manantial | 4’46
12 - Le miroir de la rime | 3’21
Line-up:
Antonio PLACER (Galicia), voice, guitar, palmas, lyricist, songwriter, arranger of all the titles in the album except*
Toninho FERRAGUTTI (Brazil), accordion
Carlo RIZZO (Italie), percussions
Didier MASMALET (France), clarinets
Jean-Luc SCHWARTZ (France), voice
Sound recording, mixing
and mastering:
Thierry RONGET (France)
What the press says about it:
Dauphiné Libéré
“The music has its own identity, a cross-breed of various styles, rich with a vast, generous culture. Antonio Placer reaches out to the audience. He opens his arms like the tree which starts to vibrate and dances to the flutter of the wind. By his side sits accordionist Toninho Ferragutti, or the musician as poet. His rhymes are the keys he works into a mirror image of the voice.”
Laurent Ageron, Le Dauphiné Libéré, 1995
Antonio PLACER (Galicia), voice, guitar, palmas, lyricist, songwriter, arranger of all the titles in the album except*
Toninho FERRAGUTTI (Brazil), accordion
Carlo RIZZO (Italie), percussions
Didier MASMALET (France), clarinets
Jean-Luc SCHWARTZ (France), voice
Sound recording, mixing
and mastering:
Thierry RONGET (France)
What the press says about it:
Dauphiné Libéré
“The music has its own identity, a cross-breed of various styles, rich with a vast, generous culture. Antonio Placer reaches out to the audience. He opens his arms like the tree which starts to vibrate and dances to the flutter of the wind. By his side sits accordionist Toninho Ferragutti, or the musician as poet. His rhymes are the keys he works into a mirror image of the voice.”
Laurent Ageron, Le Dauphiné Libéré, 1995